Tokyo 1955-1970: A New Avant-Garde

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Tokyo 1955-1970: A New Avant-Garde

Tokyo 1955-1970: A New Avant-Garde

Name: Tokyo 1955-1970: A New Avant-Garde
ISBN: 9780870708343

Doryun Chong

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Tokyo 1955–1970: A New Avant-Garde explores the extraordinary convergence of artists, intellectuals, and creators in Japan’s capital city during the radically transformative postwar period. Examining works from a range of media – paintings, sculpture, photographs, drawings, prints, videos and films, as well as graphics, architecture, musical compositions and dance – this is the first publication in English to focus in depth on the full scope of postwar art in Japan. The city during this period was a vibrant hub that attracted such critical artistic figures as Taro Okamoto, Hiroshi Nakamura, Ay-O, Yoko Ono, Mieko Shiomi and Tetsumi Kudo; photographers Daido Moriyama, Eikoh Hosoe and Shomei Tomatsu; illustrators and graphic designers Tadanori Yokoo, Kohei Sugiura and Kiyoshi Awazu; and architects Arata Isozaki and Kisho Kurokawa; as well as many important artists’ collectives. Curator Doryun Chong’s introductory essay investigates Tokyo’s sociopolitical context and the massive urban changes that redefined the city as a vital node in the international avant-garde network. Essays by scholars Hayashi Michio and Miryam Sas and curator Mika Yoshitake discuss central notions of postwar Japanese art, including design and graphics; the development of new sculptural languages; and the ‘intermedia’ trend that engendered experimental performance works and cross-pollination among artistic modes.

Año:

2012

Editorial:

The Museum of Modern Art, New York

Idioma:

english

Páginas:

228

ISBN 10:

0870708341

ISBN 13:

9780870708343